Mixing Vocals: What I've Learned
Vocals are the most important element in most mixes. Here's my approach after mixing hundreds of tracks.
1. Get the Source Right
No amount of processing fixes a bad recording. I spend more time on mic placement and room treatment than on plugins.
2. Subtractive EQ First
Before boosting anything, I'll cut problem frequencies. A high-pass filter at 80-100Hz and a narrow cut around 300-500Hz (if muddy) are almost always my first moves.
3. Compression in Stages
I rarely use a single compressor doing heavy lifting. Instead:
- Light compression (2-3dB) for consistency
- A second compressor for character/tone
- A limiter as a safety net
4. Effects Are Arrangement
Delay and reverb aren't just effects — they're part of the arrangement. I automate them throughout the song.
Verse: dry, intimate
Chorus: wide reverb, stereo delay
Bridge: heavy effects, creative processing
Tools I Reach For
- FabFilter Pro-Q 3 for surgical EQ
- 1176-style compressor for character
- Valhalla VintageVerb for 90% of my reverbs